- Ai-Kutani
- obsolescent and misleading name for a group of mid-17th-century Arita blue-and-white porcelains century Arita blue-and-white porcelains
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- Aka-e
- ceramics decorated in polychrome overglazed enamels, or those enamels
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- Ao-(Aode) Ko-Kutani
- more properly Ao-Kutani; so called Green Kutani wares, actually made in Arita
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- awabi
- abalone, the mollusc Haliotis or its shell
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- bijin
- 'beautifull woman', in normal usage referring to a courtesan
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- dagregister
- Dutch; also daghregister), official daily records kept by the Opperhoofd (q.v.) of the Dutch Factory (q.v.) on Deshima
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- daikon (mark)
- literally a radish, a shape found as a mark of unknown significance on some Arita porcelains
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- Factory
- the trading station of the European (or Chinese) nation in an Eastern country
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- fuku (mark)
- 'good luck'; used as a commendation mark on some Arita porcelains
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- Fuyo-de (or fuyode)
- 'flower-shaped', referring to the Chinese Wanli export porcelain wares known to the Dutch as Kraak
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- Gosu-aka-e
- old word for Chinese enamelled porcelain, now only used for the Swatow wares
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- han
- feudal domain
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- hoo (or ho-o)
- Chinese phoenix
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- imari
- category of enamelware developed for the Japanese export trade with a variety of types; also, the name of the port on the northwestern tip of Kyushu Island, close to Arita, from where the porcelain produce was shipped to other parts of Japan.
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- jubako
- a stack of tiered boxes
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- kake hanaike
- hanging wall vase
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- karako
- traditional form of Chinese boy
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- karakusa
- arabesque scrolling pattern, a design of intertwined plant-like scrolls
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- kendi
- a globular drinking vessel with a tall neck and a mammiform spout
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- kin (mark)
- gold, a commendation mark used on some Arita porcelain
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- kiri
- Paulownia
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- kiri-mon
- the Paulownia-flower crest of the Tokugawa family
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- kirin
- Japanese version of the Chinese kylin, a mythical beast, a fiery horse
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- Ko-aka-e
- old word for Chinese coloured porcelain, now usually applied to Swatow wares
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- Ko-Kutani
- a group of mid-17th-century Arita porcelains of distinctive style, possibly made for export to South-East Asia, formerly attributed to the Kutani kilns of Kaga
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- koro
- a usually bowl-shaped incense burner with a pierced lid
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- Ko-Sometsuke
- old blue-and-white, usually applied to the Chinese Tianqi wares made for export to Japan
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- kotobuki (mark)
- 'congratulations'; New Year greeting; a mark used on some Arita porcelain
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- Kutani (ware)
- generic name for a group of mid-17th-century porcelains now known to have been made in Arita, previously attributed to the Kutani kilns of Kaga
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- Kyo-yaki
- old Kyoto earthenwares
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- minogame
- a terrapin or tortoise so old that water weed grows on its carapace; sometimes carrying an Immortal on its back. Misunderstood in Europe as the 'flaming tortoise' pattern
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- mon
- family crest, almost equivalent of coat-of-arms
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- nigoshide
- the milky-white porcellaneous body of some of the Kakiemon wares
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- noborigama
- the stepped, chambered, high-firing kiln used at Arita (and elsewhere)
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- noshi
- a long thin strip of abalone with auspicious connotations usually attached to a gift or to an offering to the gods
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- obi
- sash
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- Opperhoofd
- (Dutch) Chief or Head Merchant on Decima, also called the Captain, who supervised the trading activities of the Dutch Factory (q.v.)
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- ruri
- the blue background colour of sprayed or painted cobalt sometimes found on Arita porcelain
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- ruyi
- part of a Chinese sceptre of formalised fungus shape
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- sennin
- Immortals who as humans reach a state of Enlightenment
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- shishi
- Buddhist lion or lion-dog
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- soba
- Japanese buckwheat noodles
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- temmoku
- black or brown iron glaze (or both). The Japanese name derives from the Chinese Tianmu Shan, an early production site
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- tsuba
- sword guard
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- tsubaki
- camellia or camellia flower
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- Ukiyo-e
- 'pictures of the floating world'. Prints and paintings from the 16th to the 17th century made for the townsmen and mostly depicting actors, courtesans, and so forth
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- Yamato-e
- an early and long-lasting tradition of Japanese painting not based on Chinese calligraphic brushstrokes, but upon outlined colour; the traditional style of the Imperial Court in Kyoto, as opposed to the Shogunal Court
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