The formal flowers and the unusually stiff, almost jagged painting of the prunus suggests an enamelling workshop other than the Kakiemon; on the other hand, this shape is also found with more typical Kakiemon style painting, see below. Such square bottles exist with a variety of decoration; this may be the most common type. For an example in the British Museum, see Jenyns, 1965, pl. 59C; Porcelain Park, 1994, no. 27; Kyushu Ceramic Museum, 1999, no. 33. For examples with two patterns of flowers on opposite faces, but not formalised, see Kassel, 1990, no. 214; Kyushu Ceramic Museum, 1999, no. 33. For Meissen imitations of both types in Dresden, see Shono, 1973, fig. 77. For a Meissen blue-and-white version of the shape in the Victoria and Albert Museum, see Porcelain for Palaces, 1990, pl. 290.