A selection of ceramics through the ages (5 second delay) Ashmolean Museum of Art and Archaeology The Collections:
PotWeb: Ceramics online
@ the Ashmolean Museum
Early Europe & Near East
Classical to Medieval
Europe from 1500
Oriental & Islamic
Japanese Export Ware: Glossary
Ai-Kutani
obsolescent and misleading name for a group of mid-17th-century Arita blue-and-white porcelains century Arita blue-and-white porcelains
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Aka-e
ceramics decorated in polychrome overglazed enamels, or those enamels
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Ao-(Aode) Ko-Kutani
more properly Ao-Kutani; so called Green Kutani wares, actually made in Arita
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awabi
abalone, the mollusc Haliotis or its shell
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bijin
'beautifull woman', in normal usage referring to a courtesan
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dagregister
Dutch; also daghregister), official daily records kept by the Opperhoofd (q.v.) of the Dutch Factory (q.v.) on Deshima
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daikon (mark)
literally a radish, a shape found as a mark of unknown significance on some Arita porcelains
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Factory
the trading station of the European (or Chinese) nation in an Eastern country
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fuku (mark)
'good luck'; used as a commendation mark on some Arita porcelains
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Fuyo-de (or fuyode)
'flower-shaped', referring to the Chinese Wanli export porcelain wares known to the Dutch as Kraak
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Gosu-aka-e
old word for Chinese enamelled porcelain, now only used for the Swatow wares
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han
feudal domain
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hoo (or ho-o)
Chinese phoenix
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imari
category of enamelware developed for the Japanese export trade with a variety of types; also, the name of the port on the northwestern tip of Kyushu Island, close to Arita, from where the porcelain produce was shipped to other parts of Japan.
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jubako
a stack of tiered boxes
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kake hanaike
hanging wall vase
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karako
traditional form of Chinese boy
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karakusa
arabesque scrolling pattern, a design of intertwined plant-like scrolls
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kendi
a globular drinking vessel with a tall neck and a mammiform spout
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kin (mark)
gold, a commendation mark used on some Arita porcelain
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kiri
Paulownia
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kiri-mon
the Paulownia-flower crest of the Tokugawa family
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kirin
Japanese version of the Chinese kylin, a mythical beast, a fiery horse
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Ko-aka-e
old word for Chinese coloured porcelain, now usually applied to Swatow wares
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Ko-Kutani
a group of mid-17th-century Arita porcelains of distinctive style, possibly made for export to South-East Asia, formerly attributed to the Kutani kilns of Kaga
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koro
a usually bowl-shaped incense burner with a pierced lid
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Ko-Sometsuke
old blue-and-white, usually applied to the Chinese Tianqi wares made for export to Japan
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kotobuki (mark)
'congratulations'; New Year greeting; a mark used on some Arita porcelain
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Kutani (ware)
generic name for a group of mid-17th-century porcelains now known to have been made in Arita, previously attributed to the Kutani kilns of Kaga
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Kyo-yaki
old Kyoto earthenwares
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minogame
a terrapin or tortoise so old that water weed grows on its carapace; sometimes carrying an Immortal on its back. Misunderstood in Europe as the 'flaming tortoise' pattern
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mon
family crest, almost equivalent of coat-of-arms
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nigoshide
the milky-white porcellaneous body of some of the Kakiemon wares
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noborigama
the stepped, chambered, high-firing kiln used at Arita (and elsewhere)
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noshi
a long thin strip of abalone with auspicious connotations usually attached to a gift or to an offering to the gods
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obi
sash
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Opperhoofd
(Dutch) Chief or Head Merchant on Decima, also called the Captain, who supervised the trading activities of the Dutch Factory (q.v.)
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ruri
the blue background colour of sprayed or painted cobalt sometimes found on Arita porcelain
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ruyi
part of a Chinese sceptre of formalised fungus shape
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sennin
Immortals who as humans reach a state of Enlightenment
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shishi
Buddhist lion or lion-dog
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soba
Japanese buckwheat noodles
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temmoku
black or brown iron glaze (or both). The Japanese name derives from the Chinese Tianmu Shan, an early production site
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tsuba
sword guard
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tsubaki
camellia or camellia flower
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Ukiyo-e
'pictures of the floating world'. Prints and paintings from the 16th to the 17th century made for the townsmen and mostly depicting actors, courtesans, and so forth
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Yamato-e
an early and long-lasting tradition of Japanese painting not based on Chinese calligraphic brushstrokes, but upon outlined colour; the traditional style of the Imperial Court in Kyoto, as opposed to the Shogunal Court
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